American nonfiction writer and journalist. The following entry presents an overview of Wolf's career through A provocative author and commentator on the subject of women's issues, Wolf emerged as one of the most powerful new voices of American feminism during the early s.
American nonfiction writer and journalist. Though often at odds with the beliefs and issues that structured the nascent feminist movement of the s and s, Wolf has developed pointed criticisms regarding the culturally dominant notions of beauty, power, sexuality, and motherhood, which she feels continue to prevent women from gaining full equality with men at all levels of society.
Wolf offers extended considerations of each of these themes in several best-selling books, including The Beauty MythFire with FirePromiscuitiesand Misconceptions While Wolf has received criticism for her use of questionable statistics and broad historical references in support of her arguments, her works consistently raise compelling questions about the role of feminism in the lives of women and society as a whole.
Her first book, The Beauty Myth, is based on research she initially conducted for her dissertation at Oxford. Following the popular success of Wolf insists essay work, Wolf left Oxford and returned to the United States, continuing to research and write about feminist issues.
Since the publication of The Beauty Wolf insists essay, Wolf has received considerable attention from the mainstream media in the United States and Britain, appearing as a frequent guest on the news and talk show circuit and becoming one of the most visible women in the contemporary feminist movement.
In Wolf married David Shipley, a journalist and speechwriter for former U. President Bill Clinton, with whom she has a daughter. During the presidential election, Wolf served as a campaign advisor to Democratic candidate Al Gore.
In addition to her published books, she has also contributed to various periodicals, including the New Republic and the New York Times. For Wolf, the tremendous influence of the beauty myth in contemporary Western societies can be found in the amount of money women spend for cosmetics and dietary aids, in the hope of attaining the ideal physical appearance that these industries promote.
Wolf insists that the cultural force of the beauty myth encourages women to destroy themselves physically—for example, through excessive dieting and plastic surgery—and drains their psychological and emotional energy, thereby slowly eroding the initial gains of feminism.
Wolf also suggests that younger women draw upon the work of second-wave feminists to form an intergenerational alliance to advocate for alternative notions of beauty that are more faithful to the needs of feminine desires and the female body.
To create this new movement, Wolf argues that feminism must welcome all women, not just those who adhere to a specific ideology.
Rather than cling to a wishful vision of a fundamentally different political arena, Wolf insists that such a movement must be pragmatic and adjust to the realities of politics as it is currently practiced.
Only through a focused pursuit of economic and political power, Wolf declares, can feminism achieve its emancipatory goals and renew itself as a vibrant and meaningful social movement. Supplementing her own stories and those of her girlhood friends with historical and anthropological analysis, Wolf argues that the sexual revolution offered little in the way of genuine freedom for women.
Although social changes encouraged young women to consider themselves as sexually free as young men, women were given scant guidance on how to responsibly explore and foster their sexuality. Through her own personal experiences, Wolf reveals how girls typically become aware of the often confusing nexus of power and vulnerability that characterizes feminine sexuality.
Rather than being able to forge distinctively female modes of sexual desire, Wolf asserts that the sexual revolution continued to leave women in the position of seeking to satisfy male desires before identifying their own. To rectify this, Wolf argues for a new sexual morality that would encourage women to control their sexuality and to find genuine ways of expressing their sexual desires.
Wolf insists that girls not only need more information about their bodies and sexuality, but also require a values-based approach to sex education that would offer a more thoughtful structure for the decisions girls make about sex.
In her next work, Misconceptions, Wolf examines the mythologies and expectations that structure the understandings of pregnancy and motherhood in America. As in her previous books, Wolf again relies on her own personal experience to develop her feminist critique, focusing on the ways in which she feels society fails to adequately support pregnant women and new parents.
Despite feminist advocacy for greater control over the birthing process, Wolf argues that American women continue to be offered condescending advice and misleading information about the often conflicted nature of pregnancy, labor, and new motherhood. Although many women expecting a child may feel inadequate, vulnerable, and even angry, Wolf asserts that many leave these genuine fears and anxieties unspoken for fear of being labeled a bad mother.
Along with criticizing the medical establishment for its failure to provide women with a safe and emotionally supportive setting for their pregnancies and labor, Wolf also insists that business and society place great pressure on new parents and do little to address their economic and psychological needs.
Wolf argues for a renewed examination of how best to support pregnant women and new parents in more effective and helpful ways. However, many commentators have noted that her argument is undermined by her failure to cite sources for her claims about the rates of cosmetic surgery and rape.
Such detractors have also bemoaned her failure to adequately consider how the complexities of race, class, and sexuality may play into the workings of the beauty myth. Critics of The Beauty Myth have frequently charged it with being overly pessimistic or too simplistic by ascribing many of the problems women face to the singular factor of beauty.
Like her previous books, Misconceptions has received criticism for being too personally revealing and seemingly self-indulgent.Wolf Essay. Topics: Dog, Gray Wolf, Canidae Pages: 1 ( words) Published: January 16, The name of my mammal is the wolf. The wolf is considered to be the ancestor of the domestic dog.
It is a large animal weighing 60 - lbs. It has powerful teeth used for tearing meat, a . Gray Wolf essaysThe wolf is the largest member of the dog family. It is a very powerful animal and has great endurance.
It is usually grayish or brownish, however in Arctic regions it is white, and in parts of North America it is black. Color and size of the wolf vary greatly in the different region.
The Dire Wolf Essay The Dire Wolf The species that is known as the dire wolf is a large and powerful ancestor of modern wolves and dogs which is now extinct. It has, however, left a rich legacy in myths and legends across many northern countries where it once roamed as .
In Anthropology, Wolf labeled his field “the most scientific of the humanities, the most humanist of the sciences” (, p. 88). Later texts carried humanist scientific study into the interstitial connections throughout modern history. Free will is a concept developed by Wolf and she expresses that it is the aspect of human beings acting and doing things from their own reasoning.
A wolf is the largest carnivorous animal of the dog family. The wolf is a strong and powerful animal. The weight and size of a wolf can vary greatly worldwide.
It has strong jaw and sharp teeth with a bushy tail.